Head of Studio Production

Sydney CBD | Full-time, in office | $80-90k + super + 10% bonusFinance is boring.That is the brief.Rates, lending policy, serviceability, property cycles. It is the stuff that decides whether people can buy a home, and almost nobody makes it feel like it matters.We want to be the ones who do.The jobWe are lifting the standard of everything we put out, and the podcast is the centre of it.You are the person who takes two people talking about finance for an hour and turns it into something people actually feel.What you'll ownOne properly produced long-form video every week. This is the flagship. Finance, broking and property, made for YouTube. Story-edited, visually built, sound designed, packaged. This is the thing we will be judged on.Our regular podcast episodes. The volume layer. Recorded well, cut cleanly, out on YouTube and Spotify without drama. Not everything gets the full treatment, and that is the point. The flagship sets the bar, the podcast keeps the cadence.The visual language of the whole thing. Graphics, data visuals, motion, B-roll, titles, thumbnails. You decide what Flint content looks like and then you make it look like that every week.The live in-house studio. The kit, the setup, the look, the bookings. Yours to run and yours to keep making better.What "lifting the standard" actually meansAnyone can point a camera at two people in a studio. That part is solved.The job is everything after that.Finding the story. An hour of conversation has a 35-minute arc inside it. Cold open, tension, payoff. You find it and you cut to it.Making the invisible visible. A rate move is a number until someone animates it. A borrower's position is abstract until someone puts it on screen. This is where the craft is, and it is most of the job.Using AI properly. Generative B-roll, illustration, motion, graphics, thumbnails. Not as a gimmick, as leverage. It is how one person produces work that used to need a design team.Making it feel like something. Music, silence, pacing, a held beat before the point lands. Taking something mundane and making it magical is the actual assignment here.What you'll have behind youYou are not doing this alone and you are not starting from nothing.Video editors to carry the volume, so your time goes into the flagship and the craftA creative team already in the building. Design, brand and marketing.A content creator who cuts the shorts and runs social off the back of what you makeA live studio in the Sydney CBD, purpose-built and already runningAI production tooling, properly resourcedTwo founders who actually turn up when you put them in the diary, and who will back a bold idea over a safe oneWho you areHands-on. Behind the camera and in the timeline every day.Non-negotiablesPodcast production experience. You have run episodes end to end. Setup, audio, multi-cam, guests, the lot.Video editing. Fast and clean, with a real eye for pacing, hooks and where an audience drops off.Videography. You can shoot, light and frame properly without a crew behind you.Creative range. Graphics, motion, titles, thumbnails. You bring ideas, not just execution.Speed. A flagship out every week and podcasts on top. You have to move.What will actually get you the jobA showreel where something dry was made compelling. We are far more interested in that than in your gear list.You will also be:Genuinely fluent in AI creative tooling and already using it in your workflowInterested in finance, property and business, or at least curious enough to get interested fast. You cannot make people feel something you do not understand.Comfortable around founders, including telling one of them the take was not good enoughBringing energy. This is a loud, fast business, not a quiet edit suite.Why this oneA founder with the largest long-form YouTube audience of any broker in the country. A category almost nobody has made beautiful yet. A studio, a team and a budget already in place.No committee. No brand police.The best finance content in Australia is currently a fairly low bar.Come and raise it.